| The following wrirings are from mags and newspapers.
THEY CANT STOP US NOW
Rastafari Speaks
Fall Editon
This year's Sellassie Fest was different from previous years. Normally
when you came anywhere near the seven hills area of Washington Park,
you hear the loud boom of the sound-system, smell the delicious
aroma of food from the many vendors stationed in their tents. This
is the event that you go to, to pick up irie crafts and garments,
while bobbing your head to the bass-banging tunes. During its quarter
century of existence it had grown in popularity as an annual park
district festival.
This year, for the first time, on approaching the park there was
no loud music and no Caribbean savor in the air. Someone even said
it was cancelled. Sellassie Day? Cancelled? Impossible! Instead
of heading back to my car I hurried to the spot where the stage
is normally placed. Coming up to the seven hills area, I could see
no Guinness or Red Stripe banners. No stage was visible on the peak
of the main hill, as it had been in past years. The park was empty…
Noticing some tents of Rastas in a camp about 100 yards away, I
strolled over to the area of the hill that was usually packed for
this event. This is the area where Rastas camp out to bonfire, Nyabinghi,
meditate, and give all-night praises to H.I.M. Quite a few Rastas
had arrived. They had been informed that the annual event would
not be happening, but instead of leaving they continued to tent-up
and prepare for a Sellassie weekend. Now, instead of a couple thousand
people early on the first day of the Fest, you had a few dozen.
The Sellassie celebration - from being a well-marketed event - had
become a small Rasta camp-out on the hills. Rumors flew around as
to why it was cancelled. In the meantime some tried to figure out
ways to entertain those who had come from far and wide for this
special occasion.
Benja - from WHPK radio in Chicago - had already planned to bring
a sound to the park and lick some truly righteous tunes. In years
past the main sound was always more 'lovers' than conscious - which
always disappointed ones who saw this as a time of praise to His
Imperial Majesty, and remembrance of the struggles of His people.
Benja and another local club deejay, Pappa G, brought out the 'ones'
and 'twos' and some large-sized speakers - just right for this crowd.
While setting up the equipment a van pulls up just behind the deejay
setup point. A pale red-headed hippy jumps out of the driver's side.
He explains that his van is all sound-system. It was run by solar
power. This was great - because this was the hottest weekend in
Chi. The sun was blazing. It took a while to string up the sounds,
but about 2:30 in the afternoon we had lift off. Incredible sound.
We feared the law would try and shut us down, but when they did
come, it was to advise us to tell the massive to keep their cars
off the grass. Thereafter, the event kicked in.
Benja, Pappa G, the redhead hippy and I-man played. The crowd
touched hundreds at one point. Rastas provided food and drink for
the massive. Ones addressed the gathering on the day's celebration.
Poets read poems and singers sang. This impromptu Sellassie event
was different. For real. Many ones enjoyed a truly heartical vibe
- rather than the mass-market aspects of the annual event. Rastas
maintained the camp. Spectators who came had a clearer overstanding
of how His Majesty is to be worshiped and praised. They enjoyed
the culture tunes. A few made calls to tell friends that it was
still happening. The sounds played until about 11 pm. The law officers
never came back to the camp. We just knew - to get you have to give.
Then the Rastas shut down the sound to beat a more righteous drum.
Throughout the night there was Nyabinghi drum-sound and chanting.
Again, this experience was deeper than in the past. The next day
was even hotter than before. Humidity reached its high point. No
bands had been booked, no speakers, no-one had any idea of how this
new day would unfold. The radio deejay crew had disappeared. So
had the hippy with the solar sound-system. With the heat and humidity
rising, and no planned events for this day, a couple of campers
downed their tents. It seemed that would start a flurry of abandoning
tents, but again Rasta stood firm.
Little did anyone realize that news of Saturday's event had spread
all over Chicago. By noon Sunday, there was a constant flow of people
coming to the camp, looking for that experience that the visitors
the day before had told them about. The only problem was - there
was no poet, no speaker, no singer or sound-system to hold their
attention in the blazing heat. The Rastas, seeing that people were
still coming out, put out a call for a sound. Chicago's famous reggae
artist, Carl Brown, saved the day when he pulled up to our hill
with a van-full of sound. It wasn't solar. And it took even longer
for him to string up. By 5:00 pm Sunday we had sound - but it was
too late. Too many people had come and gone for this to be the spectacle
it had been the day before. The heat added to the impatience of
visitors. As the sounds played, small groups trickled from over
the hills. The crowd peaked to about seventy people. But no-one
cared about the numbers. It was all an experience to be remembered.
As the warm sun set on a humid evening the tents came down as well.
Carl Brown packed up his kit. Rastas gathered their possessions,
switched telephone numbers, and loaded up vehicles. By nine o'clock
that night the area was empty. The only sign of the Fest was a pile
of refuse neatly stacked around a full garbage barrel.
You can’t stop
Sellassie I Day!
Microphone Bill
The following writings are articles that have been posted in
newspapers and magazines.
The following article was printed in Rastafari Speak 02//02 edition
RASTA INNA DE DANCEHALL
In a misty club filled with the scent of herbs, two giant speakers
stand like towers on either side of the room. Between these giant
boom boxes are hundreds of people, moving in a riddim driven uproar. Aerosol
cans spark flames in the air and the ladies with hands on knees
gyrate and contort their bodies in the most hypnotizing way. Every
time a hand goes in
the air, it is a signal that this tune is hot. The selector
lets the tune ride until the chorus then he dips the music level
to hear the fanatic crowd chanting the lyrics. ¡§More
Fire,¡¨ the crowd roars as Capleton cries out for justice. For
all apparent purposes, this is a real dancehall bash.
Jr. Kelly, Jah Mason, Sizzla, and Capleton are the deejays
who are keeping this bashment moving in the righteous direction. Every
king needs a queen is the message that rasta and the rude boys both
can understand, and as long as the riddim is hitting the crowd will
move and sway in a frenetic wave that yells a good time. Even
while the party goes
through the rude boy bashment, Tony Rebel, Beenie Man, and Buju
help keep it civil with their words of wisdom.
Some sing and chant along with the songs, and I wonder if they
really overstand the lyrics they recite. Do they know that
they are rejoicing in the Name of the ¡§Most High¡¨.
Normally when the lights come on, rasta has long gone, but with
the
reign of Capleton , Sizzla, and Jr. Kelly, over some of the roughest
riddims inna de dancehall,you can hear a positive message all night
long. Rasta should never turn away from the dancehall.
In today¡¦s society the role of rasta is becoming
much more important. The history of the black man is important,
and so much of what the black man has done has been stolen or overlooked. Now,
in the information age, many are starting to find out that Rasta
is on the right path. Along with so many other black organizations
and black leaders, RASTA HAS HELPED SET A GOOD FOUNDATION FOR THE
YOUTH OF TODAY- TO LEARN ABOUT THEIR OWN GREAT PLACE IN HISTORY.
Setting the record straight, rage and hatred is not the teachings
of rasta. Rasta would never refuse to share the knowledge with
a lost blackman. So as a rasta, one must feel compelled to
assist on the mission of self-consciousness for all blacks.
Inna de dancehall rasta artists have emerged relentlessly and now
have a strong hold on the ¡§bash without slack.¡¨ How
is anyone gonna know how powerful the lyrics are if rasta isn¡¦t
inna de dancehall manifesting those words with livity?
„h The Rebel Salute was a wonderful conscious experience
for all who went. Almost every performer you could think of was
there. There was no violence and Tony Rebel himself set the
stage a blaze.
„h Junior Kelly is recovering from an auto accident that
he was very seriously injured in. We hope you have the quickest
recovery.
„h So, I¡¦ll be hear to bring you up to
date on all the conscious vibes that come out in between issues. Hear
are some good traditional roots cds with some heavy vibes. Universal
Message with hits from Capleton, Sizzla, Jr. Kelly and many more-
is a must have.
Nereus Joseph
Hope, Faith & Love
Ruff Cutt CD
African Brothers
Want Some Freedom
Easy Star CD
Alpha Rowen
The Teacher
Charm-Jet Star CD
Rob Symeonn
Abso Root ly Hot
THC Records CD
Various
Universal Message Chapter 2
VP Records-Walboomers Music CD
Sizzla
Blaze Up The Chalwa
Kings Of Kings / Jet Star |